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LET YOUR INTUITION AND MATERIALS LEAD.
Online weaving art course with Kerri Hollingsworth
Enrolment closes 20 July | Places are limited
EIGHT WEEKS OF TUTOR FEEDBACK
PRIVATE ONLINE COMMUNITY
LIFETIME ACCESS
Threads of Connection takes you from recycled materials and latch hook to upholstered fibre art
You haven't lost your creativity. It's just gone quiet.
You're still making – or meaning to. But instead of reaching for the materials, you research, you plan, you wait for the perfect idea.
Maybe you've got the skills, the courses, the unfinished pieces – and what's missing is the thing that makes them add up. This isn't a skill gap. It's the quietness between your hands and what they used to intuitively know.
Threads of Connection brings you back to yourself. Not through rules, but by using your hands and really feeling what they reach for… and seeing where that leads you.
Kerri Hollingsworth spent years learning how to close that gap. Not by teaching more ‘how’. But by teaching you to listen differently.
No two students leave this course making the same work. That's not an accident.
A course built around what happens when you stop planning and let the materials lead
I’ve taken two courses from Take Two. Both have been outstanding experiences – better than any online art courses I’ve taken so far. The quality of the video/audio is high quality, beautiful and I enthusiastically recommend their courses.
- KATHY C.
Weaving, latch hook and sustainable textile art that moves from solid technique through to free creative expression
Start with what's around you:
Textile rope, recycled fibres, foraged finds - Kerri shows you that the best materials might already be at home.
Learn to warp a frame:
Work with foundational weave structures like tabby, twill, soumak, and twining. Leave with a finished woven wall hanging.
Discover latch hook art:
The tactile, hand-made surface of embroidery, at a scale you can actually finish. Learn knotting, stitching, and Kerri's popcorn technique to weave into your own practice.
Design and make a fibre art cushion:
This is where the skills become your first piece – your colour choices, composition, and surface – so it becomes yours entirely.
The frame becomes part of the weaving art:
Combine weaving, fibre, and natural materials into a layered mixed-media artwork – built on a structure you've warped and upholstered yourself.
Make a wild sculptural form:
Working with wire, canvas, and whatever calls to you, make a sculptural piece with no fixed outcome. The surprise is the whole point.
Enrolment closes 20 July Places are limited
Threads of Connection is perfect if…
- You're drawn to tactile making with natural and recycled materials - and want to see your own environment as a creative source.
- You already make in another medium – embroidery, collage, mixed media – and you want to work at a bigger scale and finish what you start.
- You'd rather develop your own creative instincts than follow someone else's aesthetic.
- You're ready to make work that's unmistakably yours – and to be surprised by where it ends up.
- You don't need ideal conditions or a full studio day. This course was made for life as it happens – a half hour at the table, a latch hook at 10pm, a foraged piece of something on a Sunday walk.
Threads of Connection is probably not right if…
- You're not inspired by a tactile, material-led way of making.
- You're looking for a course with a fixed, replicable outcome for each module.
- You want a shortcut to a finished piece, rather than the time it takes to make something that's yours.
- You want an exact pattern to follow rather than a method for personal expression.
Make work that could only come from you.
As a fibre artist, it means so much to have top-quality online fibre/textile/mixed media course options available that provide such excellent teaching. Thank you so much for raising the bar for online workshops for artists. I'm incredibly grateful.
It turns out that creativity is the missing link that I had been searching for my whole life and Take Two has played an integral part in unearthing and developing it.
You have created a unique niche in a world where all kinds of online learning and sharing are possible. Your sense of kindness, appreciation, and genuine interest in helping creatives translates so well over the many miles you reach out to around the globe.
You do realise that you have spoilt on line courses for other providers with your professionalism and the way the courses are put together. I live in a small regional town in New Zealand and being able to access such high quality courses is a gift that I truly embrace. I have done quite a few and they have pushed my skills forward in an amazing way.
I am so happy I found Take Two because I am impressed by the quality of the courses, the way they are built up, the course materials and exceptional filming allows the beautiful and skilled teachers to shine even more. So thank you so much for being here.
You all at Take Two do a smashing job offering top teachers and great content! Thank you for turning messy Zoom teaching into state-of-art teaching and support.
Kerri Hollingsworth left a Qantas career to pursue her art practice, without knowing what she’d create. What she made surprised even her – using upholstery offcuts, foraged materials, and wire salvaged from the paddocks on her country Victoria property.
She coined the term 'Upholstery Art' to describe her work: a fusion of upholstery and textile technique that produces art designed to be touched, not just seen.
Having exhibited sensory textile sculptures in Melbourne and regional Victoria, she’s known for creating art that grounds people – particularly neurodivergent visitors – through texture and touch.
Warm, patient, and non-prescriptive, she shows students what her own mentors showed her: there is no one right way.
Fibre has stopped being just a material. It has an energy to it, and has become more of a language.
- KERRI HOLLINGSWORTH
Kerri created an incredibly welcoming and nurturing space that allowed both beginners and experienced makers to thrive. Her teaching style was the perfect balance of professional expertise and genuine warmth; she guides you through every intricate technique with endless patience and clear, structured instructions.
Kerri is deeply personable, organised, crystal clear with instructions and she creates a safe space for students to explore their own creativity. As a teacher of this medium, you will find none better.
Kerri has an easy manner of teaching that immediately makes you feel comfortable and confident in not only her abilities but your own. I was on the other side of the country and that was no barrier at all. Kerri is invested in her students' success.
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Module one: Fibre foundations – reclaim, reimagine, create
This is where Kerri's philosophy begins: when you see the world around you differently, the materials are already there. You'll visit a salvage store on location in country Victoria, learn to make textile rope, and discover that working with recycled and natural materials isn't a compromise… That's the whole point.
You’ll:
- See recycled and natural materials through a new lens, and understand why they're at the heart of Kerri's practice.
- Make your first textile rope sample, getting your hands moving and your creative instincts engaged.
- Build an approach to gathering inspiration that starts with what's already around you.
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Module two: Woven foundations
This is the structural backbone of the course. Kerri takes you through the weaving frame, warping, and all the foundational weave structures – tabby, twill, soumak and double soumak, rya knots, and twining – before adding nature and salvaged elements to the surface.
You’ll:
- Learn to warp a frame and work with the full range of foundational weaving techniques.
- Add natural and salvaged elements to a woven surface – making the piece yours from the start.
- Complete your first finished piece: a woven wall hanging.
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Module three: Latch hook foundations
Latch hook art is more expressive and meditative than most people expect. Kerri covers the full technique range and brings them all together in a practice piece – so by the end of this module you have both the skills and the instinct to use them.
You’ll:
- Cover the full latch hook technique range: basic latch hook, knotting, stitching, double sumac, and the popcorn technique.
- Bring all the techniques together in your own practice patch.
- Learn to finish and secure your latch hook work for lasting results.
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Module four: Fibre art cushion
This is where the techniques become a piece that is undeniably yours. You'll work through style discovery and colour composition before designing and building a fibre art cushion – your decisions at every step.
You’ll:
- Identify your own natural creative language through a guided style discovery process.
- Design and build a complete fibre art cushion using the weaving and latch hook techniques from the earlier modules.
- Make your first fully self-directed finished piece – from colour choice through to final assembly.
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Module five: Surface and structure
This is where the structure itself becomes the artwork. Kerri shows you how to find a base, upholster it, warp it, and build a layered mixed-media surface across it – bringing weaving, fibre, and natural materials together in a single sculptural piece.
You’ll:
- Upholster and warp a structure to form the foundation for layered artwork.
- Build a mixed-media surface combining weaving art, fibre, texture, and natural materials.
- Complete your third finished piece - transforming object into artwork.
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Module six: Wild forms
There’s no plan, no fixed outcome and no predetermined idea of what this will become. Kerri begins this module with canvas, wire, and whatever materials call to her, to build a sculptural form and she discovers what it is as she goes. Her piece became a lamp, but she didn't know that when she started.
You’ll:
- Build a wild sculptural form from wire, canvas, and your own choice of materials – with no fixed outcome.
- Experience what it means to let the materials lead and trust where they take you.
- Complete your fourth finished piece: something only you could have made.
Join Kerri in the student community for personal feedback and direction, 3 July – 28 August, 2026.
You’ll be supported every step of the way with:
Direct interaction with Kerri for up to 8 weeks.
6 + hours of professionally filmed lessons showing real details, not just the steps.
Lifetime access for unlimited learning
Worldwide community of artists.
Your questions answered via two live Q&As.
Comprehensive workbooks to reinforce your learning.
… plus return to the community and resources time and time again to extend your learning.
Threads of Connection
• Enrolment closes 20 July
• Kerri is live in the student community 3 July – 28 August 2026
• 6 modules with cinematic video lessons
• 6+ hours of professionally filmed content
• 2 live Q&A sessions with Kerri
• Lifetime access to all course materials
• 8 weeks of feedback from your tutor
• Access to a private student community
• Comprehensive resource guides
• Private online learning portal
This is a rare opportunity to learn directly from Kerri Hollingsworth
Only available once per year
Enrolment closes 20 July | Places are limited
Our promise of excellence
We take great pride in our commitment to excellence. Our productions are professionally crafted to the highest standards, and our professional tutors share decades of knowledge with generosity and care.
To protect their IP and your investment, our money-back guarantee offers a full refund if you’ve watched less than 10% of the course within seven days and are not satisfied. See our terms for details.
Our friendly team is here to support you before, during and after your course. Reach out anytime at support@taketwoart.com – we’re always happy to help.
Have another question? We’re here to help! Please contact the Take Two team at support@taketwoart.com
Course-specific FAQs
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What materials and supplies do I need for this course?
The materials guide can be downloaded here. The complete material list, including location-based suppliers, will be available once enrolled.
We encourage you to use what you already have first – you don't need to buy everything at once.
If the combined cost of course and materials is a concern, the payment plan option at checkout may help spread the overall investment. Any specific questions before you enrol? Reach us at support@taketwoart.com. -
Do I need prior experience in fibre art or weaving?
No. Threads of Connection welcomes you as you are. Kerri gently guides you through each step from the very beginning. If you already have experience in fibre arts, this course is an opportunity to add new skills to your practice, see things in a new light, and take your work somewhere you haven't yet been.
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I'm experienced in other media but not in fibre. Is this course still for me?
Yes – especially if you're coming from embroidery. You love the feel of it, but a single piece can take a year. Latch hook gives you that same tactile, hand-made surface, on a scale you can actually finish.
Kerri's approach is about following what the materials tell you – not replicating techniques from a specific background. Students come to this course from embroidery, collage, mixed media, and beyond. Your existing creative instincts are the starting point. -
The course is filmed in country Victoria – do I need access to the same materials Kerri uses?
Not at all. Kerri's whole approach is about seeing your own environment as a source of materials. The salvage store in Alexandra is where her practice begins. Yours starts wherever and whenever you start looking differently at what's already around you.
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Is this course suitable if I have a neurodivergent learning style?
Yes. Kerri's teaching is warm, patient, and non-prescriptive. Her sensory, tactile approach – working with texture, weight, and natural materials – has been described as grounding and genuinely accessible. The self-paced, lifetime-access format means you work in the way that suits you, with no fixed schedule.
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I've never worked with recycled or natural materials before. Is that a problem?
Not at all. Kerri's approach throughout the course is to teach you to see your own environment as a source. Yours might be a fabric offcut drawer, a local op shop, a garden, a beach walk, or simply what's already on your workbench.
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I'm worried I'll come out making work that looks like Kerri's, not mine.
Kerri was taught by three upholstery mentors who each work in entirely different ways. What she took from that experience wasn't a single method. It was the understanding that there is no one right way – and that the most important thing a tutor can do is help you find yours..
Module 6 – Wild Forms – is the proof. There is no fixed outcome. Kerri didn't know what she would make. Her piece became a lamp. That surprise cannot happen if you're following someone else's aesthetic.
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What's the difference between this course and other weaving or fibre art courses online?
Most weaving and fibre art courses are technique-led: you learn a specific method and produce a defined outcome. Threads of Connection teaches technique thoroughly, but it uses technique as the scaffold, not the destination.
By Module 4, you're making your own design decisions. By Module 6, the plan is gone entirely. The course is structured around helping you find your own relationship with the materials – not replicating Kerri's.
The other significant difference is Kerri herself. Her background spans fine art, furniture upholstery, and a deep practice with recycled and natural materials. That combination is unique in the fibre art teaching world. -
What is latch hook art?
Latch hook is a textile technique in which yarn or fibre is pulled through a canvas or mesh base using a hooked tool, creating a looped or knotted surface. Traditionally associated with rug-making, latch hook has moved significantly into contemporary fibre art – used to build texture, depth, and expressive surface on wall hangings and sculptural forms.
In Threads of Connection, Kerri teaches latch hook as an expressive art-making technique. Module 3 covers the full range – basic latch hook, knotting, stitching, double sumac, and the popcorn technique – before bringing them together in a practice piece. -
What is weaving art – and how is it different from craft weaving?
Weaving art uses the same foundational techniques as craft weaving – warp, weft, structure, rhythm – but the goal is expressive rather than functional. While craft weaving produces a defined object, weaving art uses the woven surface as a medium for personal expression, texture, and visual language.
In Threads of Connection, Kerri teaches weaving as the structural backbone of the course – tabby, twill, soumak, rya knots, twining – but always in service of helping you develop your own visual language. You finish Module 2 with a completed woven wall hanging. By Module 6, the techniques you learned earlier are one part of a much larger, entirely personal creative piece. -
What finished pieces will I make in this course?
Across six modules, you'll complete four finished pieces:
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A woven wall hanging (Module 2) – built using foundational weaving techniques including tabby, twill, soumak, rya knots, and twining, with natural and salvaged elements added to the surface.
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A fibre art cushion (Module 4) – the first piece that is entirely yours in terms of design decisions. Do your own style discovery, colour composition, and surface building using techniques from Modules 1–3.
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An upholstered surface structure (Module 5) – a layered mixed-media artwork built on a frame you've upholstered, warped, and constructed as art rather than object.
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A wild form (Module 6) – a sculptural piece built from wire, canvas, and whatever materials call to you, with no fixed outcome. Kerri's became a lamp. Yours will be something only you could have made.
You'll also produce a textile rope sample in Module 1 and a latch hook practice patch in Module 3.
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What level of experience do I need for this course?
Threads of Connection is designed for makers with some creative experience – but not necessarily in fibre arts specifically.
If you've been making in any medium for a while – textiles, mixed media, collage, embroidery, painting – you'll find the course meets you where you are. The early modules build technique from the ground up, but at a pace that doesn't feel patronising to experienced makers. By Module 4, the course is asking you to make your own decisions.
If you're entirely new to making, this course is still accessible – but allow yourself more time in the earlier modules.
If you're unsure whether this course is right for where you are, reach out at support@taketwoart.com before enrolling. We're always happy to help you decide.
Course Logistics FAQs
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How much does it cost to enrol?
Enrolment in Threads of Connection is:
AUD $479 | USD $349 | GBP £264 | EUR €299 | NZD $579 | CAD $479
Payment plans of 2 or 5 months are available at checkout – no need to email us, just select your preferred option when you enrol.
A note on value: this is a course students describe going back to again and again. Lauren said she finds herself returning to the modules "over and over" and that lifetime access "is not a bonus – it is a necessity." You're not paying for eight weeks. You're paying for a resource that will keep working for you for years.
If you're a beginner wondering whether you're ready – you are. This course was designed to meet you exactly where you are. -
When does enrolment close?
Enrolment closes on 20 July
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Do I have to watch the videos at a set time or follow a schedule?
There is no fixed schedule, but there are two live Q&A sessions during your tutor’s live interaction period – on 28 July 7am AEST and 18 August 7am AEST. The course was built for people with full lives – you watch when you want, pause when you need to, and return to a module three times if that's what it takes.
As Wendy put it: The freedom to take your time and disappear down your own rabbit hole is such a joy. -
How does interacting with Kerri actually work?
Between 3 July - 28 August, Kerri is available in the private student community group on Facebook. This isn't a cursory presence – students consistently describe her feedback as detailed, personal, and genuinely engaged with their individual work.
There are also two live Q&A sessions where you can submit questions in advance:
Live Q&A #1: 28 July 2026 Live Q&A #2: 18 August 2026
These are streamed via YouTube and later uploaded into the course portal so you can watch even if you can't join live.
After 28 August, your tutor steps back from the group – but the community stays open, and you have all the course content for life. -
Do you offer closed captions?
Yes we do. We offer closed captions in English, Spanish, German and French.
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I’m not very tech-savvy. Will I be able to manage an online course?
Yes. Our students regularly report – with visible relief – how straightforward the platform is to use. If you can watch a video on your phone or computer, you can do this.
And if anything doesn't work as expected, we're easy to reach. We're well known for our customer support – just email support@taketwoart.com and a real person will help you -
Can I take this course on my phone or tablet?
Absolutely. The course is fully responsive and works across laptop, tablet, and phone. Switch between devices freely – all you need is an internet connection.
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What currencies do you accept?
We've set up geolocation to display your local currency where possible and currently accept AUD, USD, GBP, EUR, CAD and NZD. If yours isn't listed, your bank will convert the charge automatically – you won't be blocked from enrolling
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What if I need support during my course?
Post in the student community group and someone will respond – whether that's your tutor during the live interaction period, a Take Two team member, or a fellow student. The group is active and genuinely supportive.
For technical questions, or if you'd prefer not to use the Facebook group, email support@taketwoart.com directly.
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Can I gift this course to someone?
Yes – and it's a beautiful gift. Email us at support@taketwoart.com with the details and we'll create a personalised digital voucher for you.
A note from Kerri
My love affair with fibre began young. My mum was always sewing our clothes – or as long as I can remember, there was that gentle hum of the sewing machine in the background.
From that, fibre became more than just a material. Working with it, constantly touching it, gave me something more than a tool to create.
In Threads of Connection, I take you through a process of slowing down, reconnecting with yourself, and taking it one step at a time. If you're wondering whether you're good enough to start – you absolutely are. We all have this creativity within us. I'll take you through it.
- KERRI HOLLINGSWORTH
Ready to make work that surprises you?
This is a Signature online course developed in partnership with Kerri Hollingsworth and leading online course creators, Take Two.
It’s one of several process-led courses available at Take Two taught by working artists in their field.
Enrolment closes 20 July Places are limited

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