Emily Stubbs is a contemporary British ceramicist based in York, whose vessels begin not with clay, but with paper. Drawing on collage, monoprinting, and an instinct for bold colour and graphic contrast, Emily builds fragmented, layered vessels that are entirely her own. This conversation explores the crossover between two-dimensional thinking and three-dimensional making – and what it means to work with full creative courage.
Show Notes
Key takeaways from this episode:
-
Collage and clay can be equals - Emily works across both simultaneously, each feeding and informing the other rather than one always leading. A colour discovered in a glaze might pull her back to paper, while an interesting collage might spark an entirely new collection of vessels.
-
Revisiting old sketchbooks is a genuine creative practice - returning to past work with fresh eyes can reignite directions you didn't know were worth pursuing. Emily found mark-making in a 17-year-old sketchbook that mapped directly to where her work is today.
-
Working on multiple pieces at once loosens your grip - it reduces preciousness and gives you freedom to swap, play, and problem-solve across a body of work. Emily moves slabs between vessels until the composition feels right, with no fixed outcome in mind.
-
Your "mistakes" may be your greatest teachers - from unexpected kiln results to a studio break-in that destroyed finished work, Emily's most defining breakthroughs came from adversity. Rather than discarding the shards, she studied them – and an entirely new body of work emerged.
-
Making work to sell is a trap - authentic, expressive work is far more likely to resonate than work made with commercial safety in mind. When the work is truly yours, Emily found, the audience follows.
During the live interview, we shared some images of Emily’s artwork. Since you’re listening to the podcast version, we’ve made these images available for you below.
Join the conversation
What inspired you this episode? Share your biggest insight or favourite moment on social media, and tag @TakeTwoArtCourses.
Explore the images from this episode:
1 min read
By
Angela Truscott
Jun 5 2026
Join our community
A monthly letter for visual artists, trusted by more than 80,000 creatives around the world.
❤️
Posts by Tag
- Friday Feature Artists (96)
- Podcasts (69)
- Student exhibitions (68)
- Articles (50)
- Student stories (20)
- Form to Freedom with Harriet Goodall (9)
- Community Spotlight (8)
- Joyful Embroidery with Fleur Woods (7)
- Art & Design with Tara Axford (6)
- Connecting with Lissa Hunter (6)
- Focus & Flow with Karen Olson (5)
- Creating with Courage with Clarissa Callesen (4)
- Edible Abstraction with Nicola Bennett (4)
- Finding Fragments with Shelley Rhodes (4)
- Making Connections with Cas Holmes (4)
- Out of this Earth with Claire Benn (4)
- Perfectly Imperfect with Lorna Crane (4)
- Poetry & Place with Eva Kalien (4)
- Process & Possibilities with Cordula Kagemann (4)
- Visual Narratives with Sally Tyrie (4)
- Embrace the Journey with Wen Redmond (3)
- Inspired by Nature with Tara Axford (3)
- Sensing Place with Debbie Lyddon (3)
- TEXTure with Claire Benn (3)
- The Way of Wabi Sabi Collage with Donna Watson (3)
- Collections and Cloth with Anne Kelly (2)
- The Art of Abstract Collage with Cordula Kagemann (2)
- Beyond Technique Tier 2 with Claire Benn (1)
- Soft Revolution - Fibre sculpture with Tina Marais (1)
- Take Two (1)
- Unbound - Artist's books with Toni Hartill (1)
- Wilderness & Wonder with Stout (1)