Fabric is an archive of memory and time. Hannah’s work transforms secondhand clothing into sculptures that preserve not just fabric, but the lives they once intertwined with. What traces of history exist in the materials around you?
Movement isn’t just aesthetic – it’s narrative. In Hannah’s sculptures, the act of movement becomes part of the story, inviting us to see textiles not as static objects, but as something alive. How might motion, or the suggestion of it, change how you think about your own creative practice?
Art is an act of devotion. Hannah’s relationship with her artwork is a deeply personal practice of care, patience, and commitment. She approaches each piece with reverence, allowing the process to unfold intuitively. What could shift for you if you treated your creative work as something sacred rather than transactional?
What inspired you this episode? Share your biggest insight or favourite moment by tagging @TakeTwoArtCourses or using #FibreArtsPodcast!
During the live interview, we shared some images of Hannah’s artwork. Since you’re listening to the podcast version, we’ve made these images available for you below.
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Angela Truscott